the corrs

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Review & photos - John McEvoy

The summer series of gigs at The Piece Hall is now well underway and tonight it was the turn of The Corrs made up of 3 sisters (Andrea, Sharon & Caroline) as well as their brother Jim to headline. 

First up though it was Natalie Imbruglia, and those of a certain, ahem, vintage, may recall that she first came to the attention of the Great British public in the early 90’s when she appeared on Neighbours, which if you don’t know was a hugely popular Aussie soap opera which unless I’m mistaken is still actually running. 

Taking to the stage as the sun shone, she went straight into her 10 song set, and showed that whilst she was/is regarded as a god actress, she is also a great singer. I don’t pretend to have an in-depth knowledge of her material, but what I did hear was quality faultlessly delivered throughout. Of course the highlight of her set and what the crowd were waiting for was ‘Torn’ which really propelled her musical career forward, and whilst this may be almost 30 years old, it still sounded as good as ever. 

Next up it was headliners The Corrs who kick started their career in the early 90’s with the release of their first album ‘Forgiven Not Forgotten’. 

Not you may ask yourself had people actually forgotten about The Corrs, but I can safely say that The Piece hall clearly hadn’t forgotten about them, and it was absolutely rammed to catch this band deliver the goods. 

Opening their set with ‘Only When I Sleep’ the band sounded as good as ever and as always Andreas vocals sounded as good as ever. Ably supported by her sisters Caroline, drums, Sharon, violin and brother Jim on guitar, they took the crowd on a journey through their back catalogue covering material from their 7 albums. 

Of course it was tracks like ‘What Can I Do’, ‘Runaway’ and ‘Breathless’ which raised the roof (metaphorically speaking of course!).

But personally, I enjoyed their set as a whole and have to admit that I had actually forgotten just how good The Corrs were and indeed still are, as far as I’m concerned. 

Musically this is a band who still have a lot to offer and whilst it’s been almost 8 years since their last album release, although they have just recently released a new 6 track EP ‘Summer Sunshine’ which also includes a remix of ‘What Can I Do’ and is well worth checking out.  

Set list:

·  Only When I Sleep

·  Give Me A Reason

·  Lough Erin Shore

·  Forgiven, Not Forgotten

·  Summer Sunshine

·  What Can I Do

·  White Light

·  Old Town

·  My Lagan Love

·  Joy Of Love

·  Ellis Island

·  Haste To The Wedding

·  Radio

·  Queen Of Hollywood

·  Dreams

·  I Never Loved You Anyway

·  So Young

·  Runaway

·  Breathless

·  Toss The Feathers

Rhodes Media

Review & photos - John McEvoy

The Piece Hall continued their truly eclectic run of gigs this summer with the Australian band Pendulum whose clever fusion of drum and bass and rock has proved passively popular, and rightly so. 

However, before they took to the stage, it was Normandie first up, who I must confess were a new name to me. Hailing from Sweden this personable 3 piece seemed genuinely delighted to be playing in front of such a large crowd, and their unique brand of hardcore/rock style was well received, and if there’s any justice in this world, they certainly deserve to do well. 

Moving onto the main course, and bang on 9:00pm, Pendulum took to the stage and went straight into ‘Napalm’ with a chest rattling bass that was so deep, you’d be forgiven for thinking you were having some sort of physical ‘episode’! 

With no time to recover from the sonic onslaught of the opening track, it was straight into ‘Save The Cat’ which raised the temperature higher, and then much to my surprise, next up it was ‘Propane Nightmares’ which for me has one of THE best drops in music and perfectly captured what Pendulum are all about. 

I must confess that they played this track so early on in their set, but there was no need to worry, such is the vastness of their back catalogue they had no problems with delivering and maintaining their high octane set. 

Their version of ‘Blood Sugar/Voodoo People’ was simply sublime and I thought how good it would have been to have Keith Flint front and centre for this one. 

From there on, Pendulum took the crowd through a 19 track journey of their music and of course set closer just had to be ‘Tarantula’ from their 2007 album ‘Hold Your Colour’. Which was for me at least a truly spectacular set closer, and the Pendulum/Prodigy/Skrillex fusion tune brought the house down. 

If you get ever get the chance to catch a live set from Pendulum, make sure you take it. I assure you, you will not regret it!!

Set List:

·  Napalm

·  Save The Cat

·  Propane Nightmares

·  Come Alive

·  Crush

·  Blood Sugar/Voodoo People

·  Cannibal

·  Granite

·  Colourfast

·  Nothing For Free

·  The Island

·  Silent Spinner

·  Halo

·  Archangel

·  Witchcraft

·  Self vs Self

·  Watercolour

·  Tarantula

Rhodes Media

Review & photos - Liam McEvoy

Thunder, Triumph, and the Spirit of Rock at Donington Park

Download Festival 2025 delivered an unforgettable weekend, firmly re-establishing Donington Park as the epicentre of rock and metal celebration. This year’s event attracted fans from across the globe, all eager to revel in a line-up that blended legendary headliners with rising stars, framed by an atmosphere of camaraderie and sun-drenched joy. Against the rare backdrop of hot, sunny weather, attendees were treated not only to musical greatness but also to the collective spirit that has long defined the festival.

In striking contrast to last year’s deluge and infamous Donington mud, 2025’s festival basked in radiant sunshine. Where ponchos and mud-caked boots once dominated, this year saw sun hats and sunglasses shimmering across the iconic grounds—spirits noticeably lighter, laughter rising above the music. The dry weather kept energy high and revelry uninterrupted from the first chord, adding an extra layer of joy to the communal experience and making the transformation of Donington Park a talking point nearly as remarkable as the music itself.

The 2025 line-up was a triumphant showcase of the festival’s variety and energy. Green Day electrified the main stage with their signature anthems, from “Basket Case” to “American Idiot,” infusing every note with infectious energy and stagecraft. At the heart of their performance was a moment destined for Download legend: as Billie Joe Armstrong sang the line “here comes the rain again” during “Wake Me Up When September Ends,” the sky obliged, sending a sudden downpour over the crowd. The serendipitous shower was embraced with cheers, a perfect union of music and moment.

Saturday night’s headliner, Sleep Token, followed with a set imbued with mystery and emotional depth, their unique fusion of metal, electronica, and haunting vocals casting a spell over the crowd. The immersive lighting and masked choreography transformed the main stage into an almost spiritual space, and fans left visibly moved by powerful performances of new material. Tracks from their latest album, “Even In Arcadia,” including “Caramel” and “Damocles,” resonated deeply with the audience and highlighted the band’s evolving artistry. For anyone who had questioned whether Sleep Token were ready to headline, the performance was a resounding answer—the band not only met the moment, but shattered all doubt, earning their place at the pinnacle of the festival with a show that will be talked about for years to come.

Korn’s return to Donington brought with it the thunderous energy that has made them icons of the nu-metal genre. Though the band have graced Download’s stages multiple times in the past, 2025 marked their first time headlining the main stage—a long-awaited moment for both the group and their fans. Their classics “Freak on a Leash” and “Blind” sent waves through the audience, and the band’s commanding stage presence created a powerful and memorable highlight of the weekend.

While the main stage drew the biggest crowds, the second stage was where some of the weekend’s most electrifying performances unfolded. Frank Carter and the Sex Pistols ignited the crowd with a punk-fuelled set brimming with wild mosh pits, embodying Download’s rebellious spirit. AWOLNATION’s genre-blending sound took the audience on a dynamic voyage from melodic hooks to explosive electronic rock, while Northlane delivered their trademark progressive metalcore with relentless energy and emotional depth. The Darkness brought a dose of flamboyance and fun to the second stage, prompting massive singalongs and air-guitar theatrics, especially during their hit “I Believe in a Thing Called Love.”

Download’s smaller stages, including the ever-popular Avalanche stage, provided even more opportunities for discovery. Dead Pony brought fierce punk energy, Elliot Minor’s melodic nostalgia charmed longtime fans, Smash Into Pieces delivered soaring alt-rock anthems, and McFly’s charismatic show drew a refreshingly diverse crowd. These performances, often more intimate and raw, became the talk of festival-goers seeking something new beyond the main arena.

The festival’s atmosphere extended well beyond the stages. Merch stalls overflowed with exclusive tees and memorabilia, food trucks catered to every taste, and spaces like the “Doghouse” comedy tent and the fairground rides provided moments of levity and rest between sets. The community spirit was palpable—old friends reunited, newcomers were welcomed, and the traditions of tent-city life flourished under the bright summer sun.

Looking back, Download Festival 2025 was a testament to the enduring power and unity of rock and metal’s global community. In a world of shifting musical trends, the festival proved again that nothing replaces the thrill of live performance and the joy of sharing those moments with thousands of like-minded fans. Whether drawn by the towering headliners, the promise of discovering new favourites, or simply the vibrant atmosphere, attendees left with memories certain to last until the next summer.

Green Day’s rain-soaked lyric, Sleep Token’s enchanting performance, Korn’s unrelenting energy, and the infectious spirit found on every stage reaffirmed why Download remains the ultimate destination for rock and metal lovers. For those who made the journey in 2025, it was more than a festival—it was a celebration of unity, rebellion, and the sheer joy of music, setting a new benchmark for years to come.

Review & photos - Mo Longfellow

On Tuesday, June 17th, The Waterboys brought their signature blend of folk, rock, and Celtic melodies to the vibrant atmosphere of Leeds O2 Academy. The evening was a testament to their enduring appeal and musical prowess, evident through a setlist that balanced timeless classics with some newer material from their new album, Life, Death & Dennis Hopper. 

From the moment they took to the stage, the band radiated energy and cohesion. Lead singer Mike Scott's passionate vocals and charismatic presence set the tone, cutting through the music perfectly while the band's tight musicianship kept the audience captivated throughout.  It really was a superb show, best of the year so far for me. 

With keyboard guitar solos, duelling keys and musicians on and off the stage, this was a moving feast, keeping you engaged from start to finish. 

The sound quality was impressive, standing at the balcony the music filled the venue with rich, layered textures that showcased the band's dynamic range. Visuals projected behind the band and cool lighting complemented the music perfectly, especially through a mid section where they played a host of numbers from their new album enhancing the overall experience without overwhelming it.

Everyone left the O2 Academy buzzing with enthusiasm, having been treated to a great show including an encore of The Whole Of The Moon and Fisherman’s Blues.  The Waterboys proved once again why they remain a vital force in contemporary folk-rock, delivering a memorable concert that balanced nostalgia with the thrill of live music innovation.

MBCPR

Review & photos - Asa Medforth

UB40’s recent tour stop at the historic Piece Hall in Halifax was a triumphant showcase of their enduring appeal and signature reggae rhythms. The iconic venue, with its grand architecture and open-air charm, provided the perfect backdrop for an evening steeped in nostalgia and musical mastery.

From the moment the band took the stage, the crowd was enveloped in a wave of smooth, rhythmic beats and infectious energy. UB40 launched into their set with classics that have defined their career, including the ever-popular "Red Red Wine," which had the audience swaying and singing along in unison. "Can't Help Falling in Love" brought an emotive, soulful touch, showcasing the band's ability to blend reggae with heartfelt melodies seamlessly.

The setlist was a well-curated journey through their extensive catalogue, featuring fan favourites like "Kingston Town" and "Cherry Oh Baby." Each song was delivered with the polished ease of seasoned performers, yet retained the fresh vibrancy that has kept UB40 relevant for decades. The brass section was particularly noteworthy, adding rich, vibrant layers to the reggae grooves, while the vocals were warm and resonant, capturing the essence of UB40’s unique sound.

UB40’s style, a fusion of reggae with pop sensibilities and socio-political undertones, resonated strongly with the diverse crowd. Their laid-back yet compelling stage presence encouraged a communal atmosphere, transforming Piece Hall into a sea of dancing, smiling faces.

Support Acts Bitty McLean and Reggae Roast:

Reggae Roast delivered an effervescent display as the opening act, setting the perfect tone for the evening. Their signature blend of roots reggae, dub, and dancehall beats resonated effortlessly with the crowd, sparking an undeniable energy throughout the venue.

The collective’s tight rhythms and vibrant basslines were complemented by charismatic vocal performances, engaging the audience from start to finish. Tracks were infused with authentic reggae vibes, yet carried a fresh, contemporary edge that showcased their versatility.

Bitty McLean delivered an electrifying performance. His smooth vocals and charismatic stage presence captivated the audience from the get-go. Performing a selection of his reggae hits, Bitty truly shone when he launched into his greatest hit, "It Keeps Raining (Tears from My Eyes)." The crowd swayed and sang along, clearly enjoying the nostalgic vibes infused with his soulful energy. His seamless blend of lovers rock with traditional reggae rhythms made for an enchanting start to the night, leaving the crowd eagerly anticipating UB40’s headline. 

Rhodes Media

Review - Levi Tubman

Photos courtesy of Frank Ralph and Piece Hall

My first experience with Deftones goes all the way back to the late 90’s at a local rock club, where someone was throwing free copies of Around the Fur into the crowd, either as a promo for the album or their UK tour. Decades later, the band are still going strong., with nine studio albums under their belt and a sold-out show tonight, they’re heading next to Glastonbury and then onto London after Halifax get first dibs on them.

The Piece Hall is an incredible venue, while unusual, its visually striking and acoustically sound, but it comes with one small drawback: there’s no cover if it rains. Showers passed throughout the afternoon, keeping everything damp right up to gate time.

But as the crowd started to filter in, the skies cleared, even giving us a few glimpses of sun. Openers High Vis hit the stage under bright skies, bringing raw energy and a frantic presence. Vocalist Graham Sayle is a man on a mission, unable to stand still for more than a few seconds. While their vibe may not match Deftones' atmospheric heaviness, you couldn’t fault their effort. They gave it everything you could want from an opening band.

After a prolonged build-up with lights and screen tests stoking the crowd’s anticipation, 

Deftones took to the stage, and as Chino lifts the mic, and as the first word left his lips the heavens open. There's no warning, no slow build up its an instant downpour the moment he starts to sing.

There's something wonderfully cinematic about a gig in the rain, spotlights slicing through the deluge, highlighting each raindrop in vivid reds, blues, and greens while spray from thousands of soaked fans heads banging in sync. Chino, drenched with hair plastered to his face, wasn’t going to be stopped, and neither was the crowd.

They opened with Be Quiet and Drive (Far Away) and My Own Summer (Shove It) both from Around the Fur, pure nostalgia for fans of a certain age, conjuring memories of late nights out and MTV’s Superock. When the chorus of “Shove It! Shove It!” rang out, 6,000 voices easily overpowered the band. It was one of those shared moments only live music can deliver.

The crowd are loud but largely good-natured, though anyone climbing on shoulders quickly discovered that Yorkshire fans aren’t shy about letting their displeasure be known via a well-aimed overpriced pint. Not that you could notice in the pouring rain. 

With a deep catalogue, Deftones pulled material from across nearly every album—Gore being the only one skipped. Touring between album releases gives them the freedom to craft fan-focused setlists, and it paid off, every song landed. 

As the rain continues Chino checks in on the crowd asking “You All Cool?” and “A Little Wet Is Good” as the rain drips off him before roaring into the next song. From the start his energy doesn’t falter his voice growling screaming and spitting lyrics into the night. 

Even when things slow a little for Rocket Skates and then further down for the epic Sextape, the band give it their all, playing with passion not just going through the motions as Chino takes to the guitar finding random places to sing as stage hands run rush between songs trying to keep up with his mic stand as if being stationary leaves too much energy for him to contain.

The sound was thunderous, guitars dropped to bowel-rattling lows, yet always grooving thanks to a thick, pulsing bass. Fred Sablan, who joined just before the band’s last UK visit in 2022, hasn’t appeared on a studio album yet, but he’s made the material his own. Lance Jackman handled lead guitar duties backed by Shaun Lopez in place of Stephen Carpenter, who rarely travels. Despite the lineup changes, everything felt tight. 

Only Chino and drummer Abe Cunningham (introduced with affection as “Mr. Cunningham” before Digital Bath) remain from the original lineup, but you’d never guess, it was a seamless, seasoned performance. There wasn’t much banter between songs, but just enough to keep the crowd buzzing. The traditional “Yorkshire! Yorkshire!” chant made its way up to the band, met with smiles. Rain or not, nothing was going to dampen the night. The sold-out crowd and the band where there for the music.

Deftones rarely tour the UK these days, preferring festivals or select city stops. Seeing them in Halifax, well outside the capital, was a testament to both the band’s enduring pull and The Piece Hall’s unique charm. Judging by how quickly this show sold out, we can hope they make their way back soon.

Rhodes Media

Setlist:

Be Quiet and Drive (Far Away)

My Own Summer (Shove It)

Diamond Eyes

Tempest

Swerve City

Feiticeira

Digital Bath

You've Seen The Butcher

Rocket Skates

Sextape

Around The Fur

Headup

Rosemary

Hole in the Earth

Change (In the House of Flies)

Genesis

-------------

Minerva

Bored

7 Words

Review & photos - Mikee Downes

Sparks, who have been active since the early 1970s, have always existed at the intersection of pop, rock, and the experimental avant-garde. Known for their complex, often humorous lyrics and eclectic sound, they’ve consistently defied easy categorisation. From their early glam rock influences to their forays into synth-pop and modern electronic music, Sparks’ career has spanned genres, trends, and decades, all while maintaining a distinct identity. Whether through their quirky, surreal songwriting or their irreverent live performances, Sparks have earned a loyal following of fans who appreciate their eccentricities and their ability to push boundaries.

When the iconic duo Sparks took the stage at the Manchester Apollo their performance was a testament to the enduring appeal and avant-garde style that has made them one of the most unique and celebrated bands in modern music. Brothers Ron and Russell Mael, who have been making music together for over five decades, delivered a masterclass in musical innovation, theatricality, and playful absurdity that captivated the crowd from start to finish.

Sparks have always had a devoted fanbase, and the crowd tonight was no exception. The energy in the room was electric, with fans of all ages singing along to every song and responding enthusiastically to the band’s witty banter which included a game of where's Ron when he went missing for five minutes due to a technical issue. There was a sense of camaraderie in the air, a shared appreciation for the band's long-standing commitment to creativity and individuality.

This was my first time at a Sparks concert, and I was disappointed, disappointed that I had not caught them previously.  It's hard to think of many bands who have been around for such a long time, and still deliver fresh music which feels like it belongs in the now.  Blending the old and the new music, Sparks delivered two nights in a row at the Manchester venue.  I hope this is not the last time Manchester see's the Mael brothers.  

Set List:

• So May We Start 
• Do Things My Own Way 
• Reinforcements 
• Academy Award Performance 
• Goofing Off 
• Beat the Clock 
• Please Don’t Fuck Up My World 
• Running Up a Tab at the Hotel for the Fab 
• Suburban Homeboy 
• All You Ever Think About Is Sex 
• Drowned in a Sea of Tears 
• JanSport Backpack 
• Music That You Can Dance To 
• When Do I Get to Sing "My Way" 
• The Number One Song in Heaven 
• This Town Ain't Big Enough for Both of Us 
• Whippings and Apologies 
• Lord Have Mercy 
• The Girl Is Crying in Her Latte 
• All That

Republic Media

Review & photos - Liam McEvoy

On a rare balmy evening in the heart of Yorkshire, The Piece Hall in Halifax was ransformed into an amphitheatre of anticipation and electric nostalgia as Weezer took the stage. 

With their unmistakable blend of crunchy guitars, sharp wit, and infectious melodies, the Los Angeles quartet proved that their power remains undimmed, even after three decades in the business. For the thousands who filled the historic  Georgian square, it was an evening where the joys of communal music-making, and the enduring appeal of a band unafraid to straddle the line between earnestness and irony—were writ large beneath the summer sky.

Few venues in the UK can match The Piece Hall’s singular atmosphere, its honeyed stone arcades and vast open courtyard lending an almost festival-like air to any performance. As the sun dipped behind the colonnades, early arrivals soaked in the buzz of anticipation, further enlivened by energetic sets from opening bands Teen Mortgage and Bad Nerves. Their punchy performances primed the crowd and set the stage for the main event. By the time Weezer strode onstage, cheered by fans spanning generations, The Piece Hall was transformed from a civic landmark into a cathedral of rock.

Weezers setlist on this memorable night was a vibrant mix of their most beloved hits and a few unexpected gems, designed to delight both long-time devotees and newer fans. The band moved seamlessly from high-energy anthems like “Hash Pipe” and “My Name Is Jonas” to crowd-pleasers such as “Island in the Sun” and “Beverly Hills.” Fan favourites like “Undone – The Sweater Song” and “Say It Ain’t So” inspired mass singalongs, while the inclusion of deep cuts and playful surprises kept the atmosphere electric. The encore, highlighted by “Buddy Holly,” brought the show to a joyful and unforgettable close, ensuring the evening lingered in memory long after the final note.

What truly elevates their live presence in 2025 is their unwavering dedication to authentic, high-energy performance. Rivers Cuomo’s distinctive vocals rang out with clarity, breathing new life into classics while the interplay between Brian Bell and Scott Shriner sparkled, especially during “Say It Ain’t So,” and Patrick Wilsons precise drumming underscored each anthem. Cuomo’s humour and rapport with the audience were on full display, his witty asides and playful lyric twists making even the most familiar tunes feel fresh and uniquely Halifax’s own.

Weezer at The Piece Hall was a living testament to the band’s timelessness: a setlist brimming with both cherished hits and inventive twists, delivered with humour and heart. In a world awash with nostalgia tours, Weezer offered up something genuinely celebratory and deeply connective. For one magical night, Halifax was the centre of the universe for anyone who ever felt the thrill of a three-chord chorus and the joy of a song that never quite lets go.

Set List:

1. Anonymous

2. Hash Pipe

3. My Name Is Jonas

4. Dope Nose

5. No One Else

6. Perfect Situation

7. Run, Raven, Run

8. Getchoo

9. Surf Wax America

10. Undone - The Sweater Song

11. Island in the Sun

12. Holiday

13. In the Garage

14. Why Bother?

15. The Good Life

16. Beverly Hills

17. Pork and Beans

18. Pink Triangle

19. El Scorcho

20. Only in Dreams

21. Encore:

22. Say It Ain't So

23. Buddy Holly

Rhodes Media

Review - Mikee Downes

Photo courtesy of Dave Nelson

15 years on and Lytham Festival has significantly grown to become one of the North Wests finest music festivals.  

Originally starting life as Lytham Proms (the brainchild of friends Daniel Cuffe and Peter Taylor) in 2010 as a one-day music picnic event, the festival grew wings expanding to a three days event the following year, running as such until 2015 when it expanded to four nights at which point it dropped the Proms and became the festival.  

Over its time Lytham Festival has hosted rock and pop royalty, showcasing the likes of Diana Ross, The Strokes, Def Leppard, Jamiroquai, Rod Stewart, to name just a few.   Under the headliners sat a wealth of superb support including the likes of Blondie, Fountaines DC, Wet Leg, Tom Grennan, and many more.   

Kicking off the event this year is one of Motown all-time music legends, Stevie Wonder.  Bringing his Love, Light & Song tour to the idyllic coastal town,

With 23 Studio Albums and 91 singles under his belt, Stevie has the ability takes us on a journey spanning over 64 years of music magnificence. 

Being at a Stevie Wonder gig feels like a genuine experience, he brings you into the fold of his family and delivers a night you never want to stop.  However, if for some reason you had never heard of Stevie Wonder before, found yourself at the festival with zero knowledge, you might initially panic within the first few minutes of him taking to the stage. 

Stevie arrives one stage in a bright red suit which includes a prominent image of Malcolm X front left of his jacket.  He has his daughter Aisha to his left and his son Kailand who he introduces to the crowd, and then pronounces that we’re all of his family, which comes at great cheers and shouts of we love you Stevie from the crowd.    

He then expresses his frustration at the current state of the world.  “As happy as I am to be here with you.  I am very disappointed with the leaders of these nations (crowd cheers) all of them (crowd cheers louder) and I want to say to all of them, all of them, who are believers in God or Allah or whatever they believe in, you was given a purpose to make the world better and too many times you haven’t.  So I’m very disappointed in you for that reason, because we still shouldn’t have things happen as we do and shouldn’t see happen and so I know that one of the things that have always been available to us to appreciate and love is the gift that good has given us in song.  This is why I decided to call this whole experience Love Light & Song”  

Stevie then kicks the night off with Love’s in Need of Love Today, and it is sung with purpose and a feeling of frustration.  If did not know who Stevie was, you would not know what was to come next.   What came next was his infectious energy radiating over the Lytham crowd, lifting a party atmosphere as he broke into As If You Read My Mind followed by Master Blaster, within moments people to find their dancing feet and the crowd start to singalong.

Singalong is something which is prominent throughout the night.   Stevie has a wonderful way of interacting with the crowd, making everyone scat beats from his songs mixing it with the men to the women to all.   Having seen a lot of bands over my time, and often many start some form of audience anticipation, I have to say Stevie does it best.  This no doubt is partly due to being visually impaired, as he does not play the similar tricks as others, he has adapted his own way, and his way genuinely makes you feel connected, to him and the people around you.  Everyone joins in. 

Corrine Bailey Ray who started the night warming up the crowd, arrives back on stage to sing Everybody is a Star with Stevie, as a tribute to Sly Stone.  Corrine Bailey Ray was excellent in her set prior, she tried her best to lift the rain away before Stevie arrived, but still the drizzle founds us.  That was until Stevie arrived, as he did bring the sun and a thumping funk bass blasted away the clouds.  

Watching him in such a setting levitates the experience over one within an arena.  There’s something uniquely special about music being played outside under the setting sun. 

The gig was split into two halves, as Stevie took a break from the stage after delivering 11 songs, you might think this a disappointment, but it was absolutely not.  He was well covered by his outstanding backing singers who delivered a cover of Aretha Franklins Until You Come Back to Me, and Rose Royce’s I’m Going Down.  This followed by his bands instrumental Confusion.  After which Stevie returned to 10 songs, which included a singalong to a funked-up version of the Beatles Love Me Do, which everyone was loving from the first moment he tooted the track from his harmonica, and people started singing before he even had chance to find the right key.  His son Mandia came on to sing I Can Only Be Me which is the first time he’s performed it since 1987, another moment of him bonding with his own family as we bonded with him. 

As we all party in the arena the locals took to the street corners or sat in their gardens to enjoy what they can hear from the outside, but we have the better view.    For it’s not just his great songs, it’s truly being around the man himself that brings everyone so much joy. Sharing his world his family, and his playful banter, you leave feeling a deeper connection with this musical legend.

This must be the finest concert to drift across the Irish Sea, and no matter what music you’re into, young or old, you would feel joyous and fulfilled to had been here tonight.   As Stevie Wonder gig is a must do.

Set list:

Love's in Need of Love Today 

As If You Read My Mind 

Master Blaster (Jammin') 

Higher Ground 

You Are the Sunshine of My Life 

Everybody Is a Star 

Signed, Sealed, Delivered I'm Yours 

Don't You Worry 'bout a Thing 

My Cherie Amour 

Overjoyed 

Stranger on the Shore of Love 

Stevie off stage

Until You Come Back to Me (That's What I'm Gonna Do) 

I'm Going Down 

Contusion  (Instrumental)

Stevie on stage

If You Really Love Me 

Sir Duke 

I Wish 

Living for the City

Love Me Do 

Isn't She Lovely 
I Can Only Be Me 

I Just Called to Say I Love You 
Superstition 

Thank You

Cuffe & Taylor

Rhodes Media

Review & photos - Mo Longfellow

The Teskey Brothers delivered an electrifying performance at The Piece Hall in Halifax on Sunday 29th June. The Australian blues-rock duo, comprised of brothers Josh and Sam Teskey, brought their signature soulful sound to the historic venue, wowing the audience with their raw energy and musical prowess.  It was a beautifully warm evening and if ever there was a gig to watch on a night like this, this was it! 

The Teskey Brothers took to the stage, opening with ‘I Love A Woman’, from their debut album. Josh Teskey’s voice is as soulful as ever, that gravelly, raw edge that we all know and love really powering through.  His Brother, Sam, a powerhouse on guitar, playing solos throughout gives the whole thing a lift when needed, he really is a properly decent guitarist to say the least.  

The harmonies are truly on point, with the small brass section not only playing sax and trumpet for us but helping with backing vocals too. Actually, the whole band is on point. They play so effortlessly together. Coupled with how they engage with the audience, really makes this an incredible gig from start to finish. 

It helps that The Piece Hall in Halifax, provides a gorgeous backdrop for their performance, with its historic architecture and excellent acoustics, it feels like this really is one to remember. 

They played a catalogue of numbers including ‘Take My Heart’, ‘Shiny Moon’ and ‘I’m Leaving’, ending with ‘Hold Me’, the crowd singing along in unison, in fine voice. A great end to a great show. 

The supporting act, The Heavy Heavy, also impressed with their psychedelic rock sound, setting the tone for what will have been for many, an unforgettable evening.    

Rhodes Media

Cuffe & Taylor 

Review & photos - Mikee Downes

After Friday’s cancellation due to high winds and rain, Lytham was back in action on Saturday. The sunshine returned and so did the crowds. Kicking off was new energetic boy band CTRL who claim to re-write the history and perception of a 'boy band' yet they reminded me of the likes of 911 and JLS, so we will see how they manage to do so.  They certainly showed a lot of gratitude to the crowd, and really appreciated the return they got back for their performance.

Following CTRL was the sensational DAGNY who delivered an arrange of pop and rock with infectious and memorable hooks.  Actively engaging with the audience she became a fan favourite very quick, with everyone ready to actively join in when required.   

With a two course warm up the buzz really kicked in as people scrambled for a good spot in preparation for Jess Glynne. Jess's set was visually beautiful with a huge screen running images to complement her songs in a very well considered set list.  Jess connect with the audience on a much deeper level as dedicated "Take Me Home" to her mother who has is currently unwell.  Jess was visibly emotional but held it together.  She followed this up by bouncing straight into enough to this sad stuff and got the party start back up again. By the end of the set, the crowd was bouncing, having loved every second of it. 

Justin Timberlake exploded onto the stage with a burst of energy which kept going throughout. Strangely brilliant there was a technical glitch on song two where the sound cut out completely during “Cry Me A River”, this created a singalong with Justin urging his band to the front of the stage as they sang and we sang.  This as frustrating it might have been to the crew and his team, made it a unique experience and everyone on and off stage was loving it.  Luckily the sat back was quickly resolved and lead to JT commenting that “you guys came to party….. you partied so hard you knocked the sound out!” 

Justin Timberlake Set List:

Mirrors

Cry Me a River 

No Angels 

LoveStoned 

Like I Love You 

My Love 

Sexy Ladies 

Play 

Señorita 

Summer Love 

Suit & Tie 

Rock Your Body 

CAN'T STOP THE FEELING! 

Selfish 

What Goes Around... Comes Around 

Holy Grail 

TKO 

Ayo Technology / Chop Me Up / Give It to Me / 4 Minutes 

Let the Groove Get In 

SexyBack 

Until the End of Time

Once again, Lytham Festival proved that no matter what is thrown at it, this is an excellent event and never fails to deliver; superb performances and hard-working staff. Thank you for having us!

Rhodes Media

Cuffe & Taylor

Review & photos Huw William

Over the years, Train have amassed a series of well known songs without really troubling the UK charts. Only a couple have made the top 10 - 'Drive by' and 'Drops of Jupiter' - and it's nearly 10 years since 'Play That Song' represented their last chart success.

Over in the U.S., they've had much more consistent success, where they have featured regularly in TV shows and soundtracks. It has ensured that they have stayed close enough to popular culture to still draw a crowd of fans that pretty much fills Halifax's beautiful Piece Hall on a balmy July evening, all highly anticipating the band's return to the UK.

First up though, is L.A. based singer- songwriter Matt Hansen, who brings the blend of indie and pop that gained him millions of social media followers. A set of mostly original songs appeals to this audience of pop-rock fans, but they particularly enjoy the cover of the Goo- Goo Dolls' classic ‘Iris’. That somewhat overshadows the rest of the set, but there are some good songs in here, notably ‘Chemicals’ and the title track of his record ‘LET EM GO’. It shows there's much more to this artist than a TikTok creator covering other people's hits.

Train's entrance is typically understated. head singer Pat Monahan cuts a pretty unassuming figure as he modestly greets the West Yorkshire crowd.

Dressed all in black he takes centre stage and breaks straight into 'AM Gold.' Butch Walker, in for Taylor Locke on lead guitar, is an absolute revelation. Incredible playing throughout the show, coupled with a natural rock guitar showmanship, meant that the crowd got their money's worth from lead guitar alone! 

Monahan - the only original member of the band still involved - warms up as the night goes on. He's catching mobile phones from the crowd to take selfies, throwing picks and shooting social media videos before we have even got through the first 3 songs. He launches some t-shirts into the crowd for some lucky fans, showing an impressive quarterback-style throw some 50 yards into the crowd. 

There are also a couple of lovely moments where Monahan's 13-year old son comes out for cover versions of Led Zeppelin's 'Over the Hills and Far Away' and The Eagles' ‘Hotel California.’ There is arguably a slightly less successful cover of Teddy Swims' recent hit 'Lose Control' but on the whole, the band - and Monahan's voice - sound great.

'Play That Song' is a standout moment, partly because it's a better known number, which leads to a unanimous singalong, to the tune of ‘Heart & Soul’. As I said at the outset, the limited UK chart cut through that Train have had over the years means that many of the songs are not widely known. Monahan himself acknowledges this, just as he introduces their latest release - 'Brokenhearted' - which he wants us to hear before they "get into the songs that you'll be more familiar with.” With this. he's teeing up a very strong finish - ‘Hey, Soul Sister', 'Drive By', and an epic singalong of the beautiful 'Drops of Jupiter'. 

Looking around the Piece Hall, it's clear that song has meaning for a lot of people - they're dancing together, singing it to one another with genuine feeling.

It's joyful, uniting and a little escape from the day to day. Given how things are in the world at the moment, I'd say this Train pulled into Halifax right on time.

Rhodes Media

Cuffe & Taylor

Review & photos  Liam McEvoy

There are certain evenings that etch themselves indelibly into memory—not for bombast or excess, but for their honest, heartfelt beauty. Such was 3rd July 2025, when Elbow graced York Museum Gardens with a performance that felt simultaneously grand and deeply personal. The historic gardens, with their ancient stone and lush greenery, provided the perfect backdrop for an evening of musical storytelling.

Nestled in York’s historic centre, the Museum Gardens radiated a quiet magic as the sun dipped behind centuries-old trees. Attendees settled on the grass or lined the stage barricades, the air abuzz with anticipation. The stage, bathed in the last golden light of day, seemed almost an extension of the landscape, promising a union of music and memory.

Before Elbow took to the stage, the evening’s anticipation was gently kindled by remarkable support acts. Eliza Carthy & The Restitution brought a vibrant tapestry of folk energy, their spirited musicianship and storytelling casting an immediate spell over the gathering crowd. Billie Marten followed, her voice lilting through the gardens

with a quiet grace, songs rippling across the dusk like petals on water. A special moment arrived when Guy Garvey joined Billie Marten on stage, their voices blending beautifully to the delight of the audience. 

Together, these artists set a tone of warmth and wonder, preparing hearts and ears for the magic still to come. Guy Garvey’s entrance, glass raised in greeting, instantly bridged any gap between band and audience. His warmth and humour set a tone of shared celebration. Elbow’s charm lies not just in their musicianship, but in that sense of camaraderie they effortlessly cultivate—tonight, it was palpable from the start. What truly made the night special was Elbow’s carefully crafted setlist, drawing from the breadth of their discography and threading new songs with beloved classics. 

The band opened with “Starlings,” its brass flourishes and surging dynamics setting an immediate emotional charge. “Lovers' Leap” and the new “Adriana Again” followed, showing both familiarity and the band’s evolving artistry.

As “Station Approach” rang out, the crowd’s cheers swelled, the song’s themes of homecoming resonating  particularly against the York backdrop. The gentle introspection of “Kindling” and the healing simplicity of “Puncture Repair” showed Elbow’s gift for intimacy, their arrangements delicate yet powerful.

“Great Expectations” and “Her to the Earth” deepened the atmosphere, with Garvey’s evocative lyrics painting vivid pictures in the dusk. “Balu” and “Good Blood Mexico City” added energy, the band’s musicianship shining as rhythms turned more urgent.

The crowd’s devotion was clear during “The Seldom Seen Kid” and “Things I’ve Been Telling Myself for Years,” both greeted with heartfelt applause. “The Birds” soared with sweeping crescendos, while “Lippy Kids” became a communal singalong, Garvey leading the audience in rich harmony.

As the night wore on, the mood turned luminous with “Mirrorball” and “Magnificent (She Says),” both shimmering beneath the open sky. “Sober” and the cathartic “Grounds for Divorce” drove the main set to a rousing close—a perfect blend of melancholy and euphoria. 

After a brief pause, Elbow returned to the stage for an encore, beginning with the reflective “My Sad Captains,” its gentle refrain feeling like a benediction after the night’s emotional journey. The finale—“One Day Like This”—brought the crowd together for one last, cathartic singalong. With arms raised and voices united, the audience sent Elbow off with thunderous applause, the gardens echoing with shared joy.

Elbow’s concert at York Museum Gardens was a luminous celebration of connection, nostalgia, and hope. The setlist swept gracefully from triumph to tenderness, offering both longtime fans and newcomers a night of gentle transcendence. As the crowd drifted away beneath the stars, the memory of music and camaraderie lingered—a

reminder that, sometimes, the simplest nights are the most extraordinary.

Set List:

1. Starlings

2. Lovers’ Leap

3. Adriana Again

4. Station Approach

5. Kindling

6. Puncture Repair

7. Great Expectations

8. Her to the Earth

9. Balu

10. Good Blood Mexico City

11. The Seldom Seen Kid

12. Things I've Been Telling Myself for years

13. The Birds

14. Lippy Kids

15. Mirrorball

16. Magnificent (She Says)

17. Sober

18. Grounds for Divorce

Encore

19. My Sad Captains

20. One Day Like This

Hanglands.com

Review & photos Liam McEvoy

On 4th July 2025, as the music world buzzed with news of Oasis’s much-anticipated reunion gig in Cardiff, another unforgettable night was unfolding in Halifax. At The Piece Hall, the latest in its acclaimed summer series of gigs, Busted prepared to take the stage beneath a radiant sky, ready to deliver a performance that would delight fans of all ages. The historic venue, alive with anticipation, provided a dramatic backdrop as James Bourne, Matt Willis, and Charlie Simpson bounded out to greet the crowd.

Before Busted took centre stage, the evenings atmosphere had already been primed by spirited performances from the support acts. Muddy Elephant delivered a dynamic opening set, warming up the crowd with their infectious indie rock sound, while the rising pop group Soap captivated early arrivals with polished melodies and undeniable charisma. Together, these acts laid the perfect foundation, igniting the anticipation that buzzed through The Piece Hall as the sun began to dip.

As Busted took to the stage, the very first notes of “Crashed the Wedding” sent a surge of energy through the crowd, voices rising in a jubilant chorus that set the tone for the night. The band’s tight camaraderie and exuberant stage presence carried through “Air Hostess” and “Meet You There,” drawing fans into a joyful celebration of pop-punk nostalgia. As the evening unfolded, Busted launched into “Loser Kid,” “You Said No,” and “Everything I Knew,” each song met with delighted cheers from a crowd eager to relive cherished memories. “Sleeping With the Light On” became a highlight, the audience uniting in a heartfelt sing-along that filled the open-air courtyard with warmth and connection.

The band kept the pace lively with “Falling for You” and “Reunion,” demonstrating both their musical versatility and their effortless rapport with the audience. “What I Go to School For” and “Who's David” prompted an eruption of excitement, with fans waving banners and singing along word for word. The thundering performance of

“Thunderbirds Are Go” and the infectious “She Wants to Be Me” showcased Busted’s knack for crafting anthems that span generations.

In a more intimate moment, the trio performed “3am,” their harmonies resonating under the open sky. Each member shone in turn—Charlie’s powerful vocals, James’s boundless energy, and Matt’s steady basslines weaving together in a seamless display of musicianship.

As the main set drew to a close, the crowd’s anticipation built for the encore, culminating in an electrifying rendition of “Year 3000.” The final, exuberant chorus echoed across The Piece Hall, marking the end of a night that was as much a celebration of community as it was of Busted’s enduring legacy.

Busted’s set was a meticulously crafted journey through their best-loved hits, each song drawing the audience further into a shared experience of joy and nostalgia. It was an evening where generations came together—families, friends, and fans all united by music—and left with memories that would linger long after the final notes

faded into the summer night.

Set List:

1. Crash the Wedding

2. Air Hostess

3. Meet You There

4. Loser Kid

5. You Said No

6. Everything I Knew

7. Sleeping With the Light On

8. Falling for You

9. Reunion

10. What I Go to School For

11. Who’s David

12. Thunderbirds Are Go

13. She Wants to Be Me

14. 3am

Encore

15. Year 3000

Rhodes Media

Cuffe & Taylor

Review & photos - Levi Tubman

Tonight, down at the Brudenell is an album launch show for Amy Macdonald and her upcoming album Is This What You’ve Been Waiting For? The Scottish singer songwriter, shot to fame in 2007 with her debut album, This Is The Life, and its single of the same name, and 18 years later is back with album 18. While Amys has always seen to be more on the laid back catchy acoustic guitar side, she’s an artist who hasn’t been afraid to shy away from a bigger sound bringing in drums guitars and a touch of electronica, and going by the first single, Is This What You've Been Waiting For?, for me personally the best single of the year so far, were in for some exciting sounds. 

Taking to the stage its obvious despite the sounds of the new album, tonight is going to be a more stripped back affair, backed by 2 guys on guitars, and sometimes keys, Amy takes centre stage, grinning, with of course Highlands Springs water. Greeting us with “Were in Phoenix Nights!” to cheers from the audience and stage starting the nights run of working Men’s clubs’ jokes, everyone who plays The Brudenell loves it. 

The night opens with the album’s title track Is This What You've Been Waiting For? I started by talking about the big sound of the album, with thumping drums driving the song along, now on stage replaced with an acoustic guitar, with light electric lead and simple Cajon/stomp box for the beat. Now the album track is fantastic but herewith that voice and stripped back band its just as captivating.  With Amy writing a lot with an acoustic guitar, tonight’s performance is probably more to the original than album extravaganza, but the instruments take second stage from start to finish. You can forget the old argument of British singers sing with an American accent or everyone sings with a trans-Atlantic accent! Amy Macdonald sings with a Scottish accent.  It comes through clear with every word lending its sing song style beautifully. Her voice is very underrated, with a very rich and unique contralto range, she peppers the song with snippets of falsetto giving it more life and breadth. 

There are two kinds of album release gigs, the direct to the point strict this is the new album played in its entirety, and this is completely valid, and then there is tonight’s kind, where the artists peppers the night with a few classics, either for their own enjoyment or to help make us all feel more at home. The second song of the night is The Hudson, taken from her last album its loose tale based on her love of the city New York and her fathers story’sfrom living there, it’s a fun and catchy and goes down well with the crowd. 

After a little crowd patter while tuning and fitting a capo, there’s a few unmistakable chords and with a thunderous cheer from the audience they launch into Mr Rock & Roll a huge hit from her debut album and one of her best known, almost using these 3 songs as a self support, warming up the crowd with the new single and a few well-known hits. This is the template of the night, a healthy mixture of the excellent sounding new album and some older sings thrown in.  

Amy jokes again about the working men’s club, that’s not a working men’s club, giving us a run down of the album launch tour ending with a headline slot at Switzerland’s Moon and Stars festival, who’s crowd will obviously wonder back to tonight’s 400 strong crowd in Leeds! But of course the album will be out by then so the Swiss crowd will know it all, did you know Amy has a new album out? Joking throughout the night that shes going to plug it as often as possible culminatingin a shout out of “you’ve got a new album coming out?” from the audience during the encore. Were jovially told Amy is bullying us not the other way around.   

Amy introduces her favourite track of the new album,  Can You Hear Me, describing it as a Disco-Tastic song on the album, tonight giving it the Fleetwood Mac treatment. Again, this stripped back version  shows off the power and talent of her vocals, it becomes a vehicle for her voice with the band along for the ride. With a voice like hers id love to hear a live acapella song one day. 

Were then told this is the encore because if they did it properly, we’d still be able to see them hiding on the tony stairs so this is the bit where everyone would pop off for a bit with the audience chanting encore encore!, more more! Happily getting into the spirit of this façade! Playing first the 2012 track pride there’sonly one place to really go after already giving us the 2 new singles. While `I never expected to hear it tonight there’sno mistaking the intro to her biggest hit, This Is The Life. The effect is instantaneous with a mixture of cheers and applause the audience soon pick up the words ending the last song of the night loudly and in unison, with the band putting down their instruments, taking a bow and a few crowd photos and leaving the stage before the noise dies away. 

While the music Is loud up beat and catchy, the evening manages to remain relaxed and laid back, commenting how close the crowd are the band,  it’s at times an open conversation between Amy and us, all be it a barbed one scoffing that we’ve managed to make Liverpool look good with how bad out clapping is despite having someone to follow! 

This discourse and teasing, with the usual booing of Manchester and cheering of any Yorkshire venue mentioned, and mocking of the crowd drops barriers and makes everyone feel relaxed and at home and making a fantastic night.I went along with high expectations from Amy’s back catalogue and fantastic new singles and everyone was easily exceeded, so far this has been my gig highlight of the year and its going to take something special to top it!  

This is where id tell you to go out and catch her while you can but with UK dates selling out it might be a trip to Switzerland? 

Track Listing :

1. Is This What You’ve Been Waiting For? 

2. The Hudson 

3. Mr Rock & Roll 

4. Forward 

5. Statues 

6. We Survive 

7. Slow It Down 

8. Can You Hear Me? 

9. Pride 

10. This Is The Life 

Review & photos - Liam McEvoy

It’s not every day that the historic stones of Halifax’s Piece Hall hum with the vibrant energy of pop music, but on the evening of July 5th, 2025, Olly Murs transformed the iconic Yorkshire venue into a pulsating celebration of song, spirit, and sheer entertainment. This concert was a highlight of his “15 Years of Hits” tour—a milestone journey celebrating his impressive career and chart-topping legacy.

Although the sun never made an appearance, the rain mercifully held off, creating a pleasant atmosphere for music lovers gathered beneath the open sky. Under a gentle dusk light, thousands assembled, eager to witness a performer whose career has been defined by charm, energy, and an unshakeable ability to connect with an audience.

Historically, the Piece Hall is a place etched into the fabric of Halifax. Its 18th-century architecture, with sweeping colonnades and open courtyard, offers a unique blend of grandeur and intimacy for a live music experience. As concertgoers streamed in, the muted grey of the evening sky provided a calm backdrop, the sandstone arcades glowing softly in the ambient light. By late afternoon, the buzz in the air was palpable. Fans adorned in Olly Murs t-shirts, waving homemade banners, mingled with families, couples, and groups of friends. Everyone—from lifelong followers to first-time attendees—shared the common expectation: Olly’s reputation for delivering unforgettable nights precedes him.

Absnt Mind, a dynamic five-person pop boy band, and the soulful Lemar delivered outstanding opening sets that warmed up the crowd from the very start. Absnt Mind’s catchy pop sound and lively stage presence set an upbeat tone, while Lemar’s charismatic vocals and classic hits drew applause and cheers from every corner of the courtyard. As the evening wore on and the sky remained overcast but dry, anticipation reached fever pitch. Then, as the house lights dimmed, the crowd erupted into cheers. 

With a burst of colour and sound, Olly Murs bounded onto the stage, launching straight into “Troublemaker.” The sheer force of his personality was immediately apparent—infectious, cheeky, and utterly in control. He embodied the spirit of a modern pop icon, exuding confidence without a hint of arrogance. His interaction with the crowd was effortless. 

Between songs, he bantered with fans, cracked jokes, and kept everyone engaged with his trademark humour. Whether you were in the front row or watching from the far edge of the courtyard, it was impossible not to feel connected to the man commanding the stage. The night’s setlist was a lovingly curated journey through Olly’s impressive back catalogue and highlights from his latest release, as well as a medley of beloved classics. He kept the energy high with “Right Place Right Time,” “Please Don't Let Me Go,” and “Thinking of Me,” each song greeted with delighted cheers. The crowd swayed along to “Oh My Goodness” and “Kiss Me,” their lyrics echoing around the historic walls. When “Army of Two” and “Up” rang out, the collective enthusiasm was palpable.

A medley featuring “Die of a Broken Heart,” “I Found Her,” “Dancing on Cars,” and “I Hate You When You’re Drunk”—all standout tracks from Olly’s latest album, Marry Me—showcased his musical versatility and provided a fresh twist for returning fans. Later, “Seasons” and “You Don't Know Love” brought a more introspective mood, while a dynamic mega-mix—with a vibrant 80’s disco feel—kept the momentum alive. Olly and his band powered through crowd-pleasers like “I'mm Your Man,” “Never Gonna Give You Up,” “Livin' On A Prayer,” “Beat It,” “Careless Whisper,”  "I'm Gonna Be (500 Miles),” and “I'm So Excited,” infusing the night with infectious retro energy.

“Dear Darlin’” proved to be one of the most emotional highlights of the night, its heartfelt delivery moving some audience members to tears as Olly’s vocals resonated through the historic venue. “Heart Skips a Beat” followed, lifting spirits as the crowd joined in a joyful singalong. The energy soared with “Wrapped Up,” as fans danced and cheered, and a special moment arrived with “Save Me,” a new song that showcased Olly’s evolving sound and thrilled those eager for a taste of what’s to come. During “Save Me,” Olly surprised the audience by firing t-shirt canons into the crowd, sparking laughter and excitement as fans scrambled to catch the flying

souvenirs. 

Following a brief break, Olly returned for an encore with “Dance With Me Tonight,” ensuring that the night ended on an exhilarating, joyous note. The Piece Hall pulsed with music, colour, and an overwhelming sense of togetherness.

Murs’ vocal performance was robust and dynamic throughout the evening, navigating upbeat and poignant numbers with equal skill. His trademark dance moves—a blend of slick choreography and spontaneous, goofy improvisation—were in full force, often drawing laughter and applause from the appreciative crowd. 

The band deserves high praise—tight, versatile, and clearly enjoying themselves, they provided a rock-solid foundation for Olly’s vocals and stage antics. The horn section in particular brought extra flair, especially during upbeat numbers, while the rhythm section kept the groove locked in all night. 

Olly Murs’ performance at the Piece Hall on July 5th, 2025 was more than just a concert—it was a shared experience and a testament to the enduring connection between artist and audience. With a setlist brimming with his biggest hits and fan favourites, Murs delivered a night of joy, nostalgia, and celebration, leaving every attendee with memories to cherish. As the last notes faded into the Yorkshire night, it was clear this was a night Halifax would remember for years to come.

Rhodes Media

Cuffe & Taylor

Review & photos - Mikee Downes

Sunday at Lytham Festival was a mixture of celebration and remembrance.  Kicking off the festival and keeping the party going between every set was The Hit Man himself, Pete Waterman.  Pete played a wealth of good vibe pop songs, including many of his acts from his Stock Aiken and Waterman days.  Great songs for singalongs on a sunny day.  

Originally due to perform at Lytham Festival before his death in April this year, a tribute was paid to Mike Peters - health campaigner and lead singer of The Alarm, running a video to show how Mike took the news of his cancer and made it into a positive for many, running fundraisers and leaving a lasting legacy.  His wife Jules came out to introduce their son Evan and watched in awe as he sang and played the guitar in memory of his Dad. 

By the time Cast came on, people had moved in a little closer and found their spot for the night. John Powers reflected how they had come up from Cardiff, something he mentioned numerous times throughout his set, a reminder to all that he'd just party hard for two nights with Oasis, the golden ticket of 2025 gigs.  I feel the two nights with the Gallagher lads played part in Cast not being up to their usual standard.  I've seen cast before, and they've had high energy delivering songs which pull you in whether you're a fan or not.   That's not to say they didn't perform a great set, just one which was slightly below them.   It was still clear to see their fans enjoyed every moment.  

Texas came on to a huge cheer (so much so that the lady behind me apologised for screaming in my ear).  A double headliner was reflected in a split of who had come for Texas and who had come for Simple Minds.  Even though everyone enjoyed both, there was a split energy. 

The enjoyment of seeing them live is just as much to do with Sharleen Spiteri's expletive-ridden banter than the actual music. She joked about the loud ladies on the front row, expressed how good she'd be in panto and questioned what was in the windmill ("I've got visions of crazy golf going round in my head")  Sharleen's experience and empathy for her fans was shown as one struggled and needed assistance, as everyone waited for them to get going again, Sharleen took the time to tell a story of Glastonbury.  The sharing of new stories is a great bond builder for the diehard fans and the ones who would be picking up a best of CD on the way back home.  

Texas Setlist:

I Don't Want a Lover
Halo
Hi
In Our Lifetime
Tired of Being Alone
Keep On Talking
Summer Sun
Let's Work it Out  / Rip it Up
When We Are Together
In Demand
Mr Haze
Black Eyed Boy
Say What You Want
Every Day Now
Inner Smile
Suspicious Minds

And then there was Simple Minds. 

Simple Minds brought an end to an excellent three days (nearly four) at Lytham.   Delving into their wealth of anthems and nostalgic tunes, they raised the atmosphere to another level, one final time to dance the weekend away.   Even at 66 you'd like to find a way to bottle Jim Kerrs charisma and energy, he is a master of his art, and this is shown with arena tours and headlining festivals year after year.   A wealth of hit songs make a difference, and where others fall into smaller retro festivals, Simple Minds still go from strength to strength.   It should come as no surprise that Don't You Forget About Me took centre stage with all singing along.

Simple Minds Setlist:

Waterfront
Love Song
Glittering Prize
Oh Jungleland
Let There Be Love
New Gold Dream
I Wish You Were Here
Someone Somewhere in Summertime
Ghost Dancing
Theme for Great Cities
Promised You A Miracle
All the Things She Said
See The Lights
Don't You (Forget About Me)
Book of Brilliant Things
Alive and Kicking

The planning for the festival run was excellent, Lytham truly catered an excellent weekend for the masses.    

Rhodes Media

Cuffe & Taylor

Review & photos - Anya Weston-Shaw

There’s something magical about watching a band like The Human League—an act that defined a sound and still knows exactly how to bring it to life on stage. From their entrance to the synths, to the final chorus, their performance at The Piece Hall was a slick, nostalgic joyride for the entire crowd.

The setlist was pleasingly varied, digging into early albums while still delivering those beloved bangers. Mirror Man had everyone bouncing, Love Action (I Believe in Love) was met with the entire audience singing along, and Being Boiled brought a darker, moodier edge that showed just how influential their early work still is.

Was there costume changes did I hear you ask? Oh, there were plenty—and they were fabulous. Sequins, sharp tailoring, and that unmistakable 80s glam/futuristic vibe. It added theatre and another dimension that kept the audience guessing. 

The crowd at The Piece Hall was as varied as the setlist, a brilliant mix of lifelong fans and newer faces, all swapping stories about gigs past and favourite tracks. It gave the night a relaxed, friendly feel, like everyone was just happy to be there.

In short, The Human League delivered exactly what you'd want: a polished, passionate, and a genuine sense of fun all wrapped up in a punchy and varied set.

Rhodes Media

Cuffe & Taylor

Review & photos - John McEvoy

As evening descended on the 6th of July, the heavens opened at The Piece Hall’s and the rain was unfortunately unrelenting all evening.  However, there was a real sense of heightened expectation as The Script prepared to headline tonight’s show. take the stage. 

The crowd, a mix of fans both of fans old and new—braved the drizzle and gave Tom Walker a huge welcome as he took to the stage to deliver an uplifting set which kept the capacity (and increasingly soggy) crowd entertained for the best part of hour.  

The last time I saw him, he was playing a small church in Leeds 2/3 years ago, so it was good to see him once again playing in front of an adoring crowd. The man certainly has a bright future ahead of him. 

Then it was time for the main course and slightly earlier than originally planned The Script took to the stage to deliver a set filled with both anthemic hits and poignant ballads.

Danny O'Donoghue's vocals soared effortlessly through the humid night air, striking the perfect balance between raw emotion and polished performance. Rain-slicked, the audience sang along to "The Man Who Can’t Be Moved" and "Breakeven," their voices echoing across the open courtyard in defiance of the showers. The band’s dynamic energy was contagious; Mark Sheehan’s guitar riffs sparked through the damp, while Glen Power’s rhythms drove each song forward with unwavering precision.

Of course with The Script you should always expect the unexpected, and mid-way through their set whilst Danny was singing a ballad to a young lady picked from the audience to come on stage and sit with him, unbeknownst to her, her boyfriend walked on stage, went down one knee, and yes he proposed in front of thousands of people!!

Thankfully she accepted (phew!)

In addition, Danny decided to take a walkabout in the crowd with audience members singing with him, and the was just another unforgettable element of tonight’s gig. 

Even though the weather was truly awful band’s banter between songs was warm and genuine, forging a tangible connection with the soaked but spirited audience.

As the final chords of "Hall of Fame" rang out and the confetti mixed with raindrops drifted skyward, the crowd buzzed with exhilaration and it would be fair to say that The Script delivered a show brimming with passion and sincerity, making their rain-soaked Halifax stop one to be remembered long after the last encore faded.

Set list:

Intro/Superheroes

Rain

Both Ways

Six Degrees of Separation

The Man Who Can’t be Moved

The Last Time

If You Could See Me Now

Inside Out

Never Seen anything ‘Quite Like You’

Before The Worst

Nothing

No Good In Goodbye

Paint The Town Green

For The First Time

Home Is Where The Hurt Is

Breakeven

Hall Of Fame

Rhodes Media

Cuffe & Taylor

Review & photos - John McEvoy

Second night on the bounce up The Piece Hall Halifax, and the weather couldn’t have been more different for the Simple Minds KT Tunstall gig. 

Simple Minds delivered a show that was not only a celebration of their storied past, but a testament to their enduring relevance. With the radiant KT Tunstall setting the tone as support.

Opening acts can often be ‘underwhelming’, but KT Tunstall stood out with the magnetic assurance that comes from years of command on stage. Best known for her breakout hit “Black Horse and the Cherry Tree,” Tunstall is now a seasoned performer, and she wasted no time in winning the crowd over.

Armed with her trademark loop pedal and acoustic guitar, she delivered a set that was both intimate and exuberant. Her voice, just as agile and soulful as it was at the dawn of her career, soared across Piece Hall as she moved through hits like “Suddenly I See” and “Other Side of the World.” 

The audience, basking in the late sun, swayed and sang along, clearly delighted by her energy and wit. By the time she wrapped up, Tunstall had well and truly warmed up the crowd for the main act.

When Simple Minds strode onstage to a rapturous welcome, the sun was just beginning its slow descent, and frontman Jim Kerr, ever the charismatic leader, greeted Halifax with gratitude and easy charm. There was a sense, from the first resounding chords, that both band and audience were poised for a night of raucous celebration.

The setlist was a generous sweep through Simple Minds’ vast catalogue, threading together the new and the nostalgic. The band opened with the propulsive “Waterfront,” a thunderous reminder of their stadium-filling prowess. The bass line reverberated around Piece Hall and Kerr’s voice, ageless and urgent, invited everyone to lose themselves in the moment.

What followed was a mixture of old favourites and deeper cuts. “Let There Be Love” shimmered, buoyed by Sarah Brown’s crystal clear backing vocals. “Promised You a Miracle” and “All the Things She Said” had the crowd, hands aloft, singing along as if their lives depended on it. 

The chemistry between Kerr and guitarist Charlie Burchill remains the band’s secret weapon: playful, intuitive, and fiercely passionate. Keyboardist Berenice Scott and drummer Cherisse Osei brought their own dynamism, adding colour and drive to the band’s timeless sound. Each member shone on their own, but together they delivered a collective power that was unmistakable.

After a mesmerising main set, the band returned for an encore that brought the house down. “Alive & Kicking” was a delirious, celebratory high point, with Kerr encouraging every last person to sing until the final note. 

As the crowd slowly dispersed, there was only one conclusion: nights like this remind us that the combination of good music and a warm summers evening is the perfect recipe for a great night and I think that’s precisely what everyone who was there had!

Set list:

Waterfront

Once Upon A Time

Glittering Prize

Oh Jungleland

Let There Be Love

Love Song

Somewhere Sometime In Summertime

Belfast Child

Theme For great Cities

Promised You A Miracle

All The Things She Said

See The Lights

Don’t You (Forget About Me)

Book Of Brilliant Things

Alive & Kicking

Rhodes Media

Cuffe & Taylor